Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for IVE 아이브 '해야 (HEYA)' MV. Tutti analyzed the YouTube audio to extract key A# Minor, 91 BPM. a progression of 14 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“IVE 아이브 '해야 (HEYA)' MV” runs at 91 BPM in 4/4, in A# Minor. The chart spans 73 bars and uses 14 distinct chords, changing roughly every 2.5 seconds.
Part A, the most repeated section, loops Fm → A#m → C → Fm → Fm → C → F → F — v–i–ii°–v–ii°–v in scale degrees.
11 of the chords need a barre (A#m, A#m7, C#, C#maj7, Cm, D#, F7, Fm, Fm7, Fsus4, G#), so this sits at a upper-int. level.
With a capo on fret 1 you can play it with Am · Am7 · B · C · Cmaj7 · B7 … shapes instead — 11 of 14 become open chords.
Start around 64 BPM with a metronome and work up to 91.
Tempo swings by ±20.0 BPM, so follow the recording rather than a metronome.
Dynamic range is 16 dB — a moderate swing between soft and loud passages.
The first chord lands at 5s, so there is a short intro before you come in.
Balance of the mix: Bass 35%, Vocals 29%, Drums 25%.
The vocal sits between A♯3 and F5 (centred on F4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:02 | 1–8 | 1 | F → F → F7 → C → D# → F7 → F7 → F |
| Part B | 0:22 | 9–16 | 2 | C7 → F7 → F7 → F7 → Fm → F7 → C7 → C7 |
| Part C ★ | 0:43 | 17–32 | 3 | Fm → A#m → C → Fm → Fm → C → F → F |
| Part B | 1:25 | 33–40 | 2 | F → F → C7 → F7 → F → F7 → Fm → Fm |
| Part C ★ | 1:46 | 41–48 | 3 | F7 → F7 → Fm7 → A#m → C → Fm → Fm → C |
| Part D | 2:07 | 49–56 | 1 | Fm → Fm → C → Fm → F7 → F7 → A#m7 → C |
| Part E | 2:28 | 57–64 | 1 | C7 → Fm → C#maj7 → C7 → Cm → C# → D# → C7 |
| Part F | 2:49 | 65–72 | 1 | C# → D# → Fm → G# → C# → D# → Fm → C7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.