Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for 죠지(george) - 함께라면요 (feat. 민니 (MINNIE)) Official Music Video. Tutti analyzed the YouTube audio to extract key B Major, 86 BPM. a progression of 31 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“죠지(george) - 함께라면요 (feat. 민니 (MINNIE)) Official Music Video” runs at 86 BPM in 4/4, in B Major. The chart spans 77 bars and uses 31 distinct chords, changing roughly every 2.2 seconds.
Part A, the most repeated section, loops B → B7 → Emaj7 → A7 → G#m7 — I–I–IV–?–vi in scale degrees.
21 of the chords need a barre (A#7, A#dim7, A#m6, B, Bmaj7, C#7, C#m, C#m7, D#7, D#m7, Ddim, Ddim7, Em6, F#, F#7, F#aug, G#m, G#m6, G#m7, Gdim7, Gm7), so this sits at a upper-int. level.
With a capo on fret 4 you can play it with F#7 · F#dim7 · F#m6 · F7 · Fm7 · G … shapes instead — 13 of 31 become open chords.
Start around 60 BPM with a metronome and work up to 86.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:01 | 1–4 | 1 | E → Gdim7 → D#7 → B |
| Part B | 0:13 | 5–8 | 1 | G7 → Ddim7 → C#m7 → C → B → Bmaj7 → B |
| Part C | 0:24 | 9–12 | 1 | Bmaj7 → B → Emaj7 → A#dim7 → F#7 → B |
| Part D | 0:35 | 13–16 | 2 | A#7 → Ddim7 → C#m7 → B → F#aug → B |
| Part E | 0:43 | 17–20 | 1 | D#7 → G#m → E → Gdim7 → A#dim7 → B |
| Part F | 0:54 | 21–24 | 1 | Ddim7 → C#m7 → F#7 → F#7 → B |
| Part G ★ | 1:06 | 25–28 | 3 | B → B7 → Emaj7 → A7 → G#m7 |
| Part H | 1:17 | 29–32 | 2 | A#m6 → C#7 → C#m7 → Em6 → Em → D#m7 → B |
| Part I | 1:28 | 33–36 | 2 | B → Gm7 → Ddim7 → Emaj7 → A7 → G#m7 |
| Part J | 1:39 | 37–40 | 2 | D#7 → C#7 → C#m7 → Cmaj7 → B |
| Part K | 1:50 | 41–44 | 1 | B → Bmaj7 → C#m7 → Am7 → B → G#m7 |
| Part L | 2:01 | 45–48 | 1 | G#m7 → Emaj7 → G#m7 → D#7 → D#m7 → B |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.