Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for Ariana Grande - hate that i made you love me (official music video). Tutti analyzed the YouTube audio to extract key A# Minor, 97 BPM. a progression of 14 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“Ariana Grande - hate that i made you love me (official music video)” runs at 97 BPM in 4/4, in A# Minor. The chart spans 99 bars and uses 14 distinct chords, changing roughly every 2.8 seconds.
Part A, the most repeated section, loops A#m → Fm → Fm7 → F# → F# → D#m → F7 → A#m — i–v–v–VI–iv–v–i in scale degrees.
13 of the chords need a barre (A#m, A#m7, C#, C#maj7, D#m, D#m7, F#, F#maj7, F7, Fm, Fm7, G#, G#7), so this sits at a upper-int. level.
With a capo on fret 1 you can play it with Am · Am7 · C · Cmaj7 · Dm · Dm7 … shapes instead — 14 of 14 become open chords.
Start around 68 BPM with a metronome and work up to 97.
Tempo swings by ±16.8 BPM, so follow the recording rather than a metronome.
Dynamic range is 26 dB — a wide swing, with 23% of the song played quietly.
The first chord lands at 53s, so there is a short intro before you come in.
Balance of the mix: Vocals 34%, Bass 26%, Drums 25%.
The vocal sits between C♯2 and A♯5 (centred on D♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:41 | 1–8 | 1 | A#m → A#m → F7 → F7 |
| Part B | 1:00 | 9–16 | 2 | F# → G#7 → C#maj7 → A#m → G#7 → Fm7 → F# → G#7 |
| Part C | 1:20 | 17–24 | 1 | F#maj7 → F# → C# → F# → A#m → Fm7 → F# → F#maj7 |
| Part D | 1:56 | 25–32 | 1 | A#m → A#m → A#m7 → A#m → F → F# → C# |
| Part E | 2:16 | 33–40 | 1 | A#m → A#m7 → A#m → F7 → F# → F# → C# → C# |
| Part B | 2:33 | 41–48 | 2 | A#m → A#m7 → Fm7 → F#maj7 → G#7 → C# → A#m → Fm |
| Part F ★ | 2:53 | 49–56 | 4 | A#m → Fm → Fm7 → F# → F# → D#m → F7 → A#m |
| Part G | 3:13 | 57–64 | 2 | A#m7 → A#m → F7 → F# → C# → C# → A#m → F7 |
| Part F ★ | 3:33 | 65–88 | 4 | C# → G# → A#m → Fm7 → F# → C# → A#m → F |
| Part G | 4:33 | 89–96 | 2 | C# → A#m → F → F# |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
