Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for RESCENE (리센느) ‘LOVE ATTACK’ Official MV. Tutti analyzed the YouTube audio to extract key B Major, 111 BPM. a progression of 12 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“RESCENE (리센느) ‘LOVE ATTACK’ Official MV” runs at 111 BPM in 4/4, in B Major. The chart spans 85 bars and uses 12 distinct chords, changing roughly every 2.1 seconds.
Part A, the most repeated section, loops C# → F# → D#m → B — ii–V–iii–I in scale degrees.
11 of the chords need a barre (A#m, A#m7, B, Bmaj7, C#, D#m, D#m7, F#, G#, G#7, G#m), so this sits at a upper-int. level.
With a capo on fret 6 you can play it with Em · Em7 · F · F7 · Fmaj7 · G … shapes instead — 11 of 12 become open chords.
Start around 78 BPM with a metronome and work up to 111.
Tempo drifts by about ±11.3 BPM — steady enough to practise to a click.
Dynamic range is 33 dB — a wide swing, with 7% of the song played quietly.
The first chord lands at 1s, so there is a short intro before you come in.
Balance of the mix: Drums 34%, Vocals 28%, Bass 27%.
The vocal sits between G♯3 and C♯5 (centred on F4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–4 | 1 | B → A#m → D#m → B → G# |
| Part B | 0:09 | 5–8 | 1 | D#m → C# → C# → Bmaj7 → D#m → Bmaj7 → G# |
| Part C | 0:18 | 9–12 | 2 | D#m → Bmaj7 → D#m → Bmaj7 → A#m7 |
| Part D | 0:26 | 13–16 | 1 | D#m7 → Bmaj7 → G#7 → G#7 → D#m → F# → Bmaj7 → B |
| Part E | 0:35 | 17–20 | 2 | C# → F# → F# → C# → B |
| Part F ★ | 0:43 | 21–32 | 9 | C# → F# → D#m → B → C# → F# → D#m → B |
| Part G | 1:09 | 33–36 | 2 | C# → A#m → F# → A#m → D#m → D#m → D#m → Bmaj7 |
| Part H | 1:18 | 37–40 | 1 | G#m → D#m → Bmaj7 → B7 → D#m → A#m → A#m |
| Part C | 1:26 | 41–44 | 2 | D#m → B → A#m → D#m → B → B |
| Part E | 1:35 | 45–48 | 2 | C# → C# → F# → F# → D#m → B |
| Part F ★ | 1:43 | 49–60 | 9 | C# → F# → D#m → B → C# → F# → D#m → B |
| Part G | 2:09 | 61–64 | 2 | C# → A#m → D#m → D#m → Bmaj7 → G#m |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
