Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for [MV] 검정치마(The Black Skirts) - 'EVERYTHING'. Tutti analyzed the YouTube audio to extract key F# Major, 120 BPM. a progression of 15 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“[MV] 검정치마(The Black Skirts) - 'EVERYTHING'” runs at 120 BPM in 4/4, in F# Major. The chart spans 146 bars and uses 15 distinct chords, changing roughly every 2.6 seconds.
Part A, the most repeated section, loops A#7 → D#m7 → C#m7 → B → B → C# → F# → F# — iii–vi–V–IV–V–I in scale degrees.
15 of the chords need a barre (A#, A#7, A#m, A#m7, B, Bm, Bm6, C#, C#m, C#m7, D#m, D#m7, Ddim, F#, F#maj7), so this sits at a upper-int. level.
With a capo on fret 6 you can play it with E · E7 · Em · Em7 · F · Fm … shapes instead — 10 of 15 become open chords.
Start around 84 BPM with a metronome and work up to 120.
Tempo drifts by about ±6.2 BPM — steady enough to practise to a click.
Dynamic range is 18 dB — a moderate swing between soft and loud passages.
The first chord lands at 22s, so there is a short intro before you come in.
Balance of the mix: Vocals 24%, Bass 23%, Other 20%.
The vocal sits between D3 and B4 (centred on A♯3), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:03 | 1–8 | 1 | F# → F#maj7 |
| Part B ★ | 0:24 | 9–48 | 9 | A#7 → D#m7 → C#m7 → B → B → C# → F# → F# |
| Part C | 1:42 | 49–56 | 1 | A#m → A#7 → D#m → C# → B → B → C# → F# |
| Part D | 1:58 | 57–64 | 1 | C# → C# → Ddim → D#m → B → B → Bm → Bm |
| Part E | 2:14 | 65–72 | 1 | C# → C# → Ddim → D#m → F# → B → B → Bm |
| Part B ★ | 2:30 | 73–80 | 9 | A#m → A#7 → D#m → C#m7 → B → C# → F# → F# |
| Part F | 2:44 | 81–88 | 2 | F# → A#m → D#m → D#m → C#m → B → C# → F# |
| Part B ★ | 2:58 | 89–96 | 9 | A# → D#m → D#m → B → F# → B → C# → F# |
| Part F | 3:12 | 97–104 | 2 | F# → A#m → D#m → C#m → C#m7 → B → C# → F# |
| Part G | 3:28 | 105–112 | 3 | A#m → D#m → B → B → C# → F# → F# → F# |
| Part B ★ | 3:44 | 113–120 | 9 | A#m → D#m → D#m7 → D#m7 → C#m → B → C# → F# |
| Part G | 4:00 | 121–136 | 3 | A#m → D#m → D#m → B → C# → B → C# → F# |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.