Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for BOYNEXTDOOR (보이넥스트도어) '오늘만 I LOVE YOU' Official MV. Tutti analyzed the YouTube audio to extract key B Minor, 136 BPM. a progression of 17 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“BOYNEXTDOOR (보이넥스트도어) '오늘만 I LOVE YOU' Official MV” runs at 136 BPM in 4/4, in B Minor. The chart spans 101 bars and uses 17 distinct chords, changing roughly every 2.0 seconds.
Part A, the most repeated section, loops F#m → Bm7 → Em7 → A → A → Gmaj7 → F#7 → Bm — v–i–iv–VII–VI–v–i in scale degrees.
8 of the chords need a barre (Bm, Bm7, C#, D#, F#, F#7, F#m, F#m7), so this sits at a advanced level.
With a capo on fret 2 you can play it with G · G7 · Gm · Gm7 · Am · Am7 … shapes instead — 13 of 17 become open chords.
Start around 95 BPM with a metronome and work up to 136.
Tempo drifts by about ±14.2 BPM — steady enough to practise to a click.
Dynamic range is 28 dB — a wide swing, with 27% of the song played quietly.
The first chord lands at 9s, so there is a short intro before you come in.
Balance of the mix: Vocals 29%, Bass 29%, Drums 27%.
The vocal sits between D3 and B5 (centred on E4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:41 | 1–8 | 1 | D → D → F# → F# → Bm7 → Am7 → D → Gmaj7 |
| Part B | 0:53 | 9–16 | 2 | F#m → Bm → Em7 → Em7 → A → D → D → F# |
| Part C ★ | 1:07 | 17–24 | 3 | F#m → Bm7 → Em7 → A → A → Gmaj7 → F#7 → Bm |
| Part D | 1:21 | 25–32 | 2 | A → F#7 → Bm → Em → A → D → F#7 → F#7 |
| Part B | 1:35 | 33–40 | 2 | F#m → Bm → Em7 → Em → A → D → F#7 → Bm |
| Part C ★ | 1:49 | 41–48 | 3 | F#m → Bm → Em7 → A → Gmaj7 → F#7 → Bm → Bm |
| Part E | 2:03 | 49–56 | 1 | Bm → Bm → F#7 → F#m7 → F#m7 → Bm → Gmaj7 → F#7 |
| Part D | 2:17 | 57–64 | 2 | F#7 → Bm → Bm → Em → Am7 → D → G → A |
| Part C ★ | 2:31 | 65–72 | 3 | F#7 → Bm → Bm7 → Bm7 → D → G → G → F#m |
| Part F | 2:44 | 73–80 | 1 | F#7 → Bm → Am → D → G → Gmaj7 → F#m7 → Bm7 |
| Part G | 2:58 | 81–96 | 2 | Bm → Gmaj7 → F# → Bm7 → Gmaj7 → F#m → Bm7 → Gmaj7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
