Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for BLACKPINK - ‘뛰어(JUMP)’ M/V. Tutti analyzed the YouTube audio to extract key C Minor, 143 BPM. a progression of 9 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“BLACKPINK - ‘뛰어(JUMP)’ M/V” runs at 143 BPM in 4/4, in C Minor. The chart spans 110 bars and uses 9 distinct chords, changing roughly every 3.6 seconds.
Part A, the most repeated section, loops G — v in scale degrees.
5 of the chords need a barre (A#, A#7, D#, G#maj7, Gm), so this sits at a advanced level.
With a capo on fret 3 you can play it with G · G7 · A · A7 · C · E … shapes instead — 9 of 9 become open chords.
Start around 100 BPM with a metronome and work up to 143.
Tempo drifts by about ±12.0 BPM — steady enough to practise to a click.
Dynamic range is 20 dB — a moderate swing between soft and loud passages.
The first chord lands at 1s, so there is a short intro before you come in.
Balance of the mix: Drums 44%, Bass 27%, Vocals 20%.
The vocal sits between G3 and A♯5 (centred on D♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:01 | 1–4 | 1 | C → C7 → C → D# → D# → Gm |
| Part B | 0:07 | 5–12 | 5 | Gm → A#7 → C → D# → G7 → A#7 → C7 → D# |
| Part C | 0:21 | 13–16 | 3 | A#7 → A# → C → D# → Gm |
| Part B | 0:27 | 17–24 | 5 | A# → C → D# → G → A# → C → D# → D# |
| Part D | 0:41 | 25–28 | 1 | A# |
| Part E | 0:47 | 29–32 | 2 | G |
| Part F ★ | 0:54 | 33–36 | 6 | G |
| Part G | 1:00 | 37–40 | 2 | G |
| Part H | 1:03 | 41–44 | 1 | A# → Gm → G#maj7 |
| Part I | 1:06 | 45–48 | 1 | G#maj7 → G → Gm → G#maj7 → G#maj7 → G → G |
| Part J | 1:10 | 49–52 | 1 | G → Gm → Gm → D# → D# → C → Gm → Gm |
| Part C | 1:17 | 53–60 | 3 | A# → C → D# → Gm |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
