순순희 (기태) gitae ,백예슬 Baek Yeseul - 떠나가요, 떠나지마요 : 시대를 초월한 마음 Leave Me, Don′t Go Official M/V guitar chords
Auto-generated chord chart from YouTube analysis
About Tutti
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for 순순희 (기태) gitae ,백예슬 Baek Yeseul - 떠나가요, 떠나지마요 : 시대를 초월한 마음 Leave Me, Don′t Go Official M/V. Tutti analyzed the YouTube audio to extract key F Major, 73 BPM. a progression of 21 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
Song notes
“순순희 (기태) gitae ,백예슬 Baek Yeseul - 떠나가요, 떠나지마요 : 시대를 초월한 마음 Leave Me, Don′t Go Official M/V” runs at 73 BPM in 4/4, in F Major. The chart spans 80 bars and uses 21 distinct chords, changing roughly every 1.6 seconds.
Part A, the most repeated section, loops Gm → D# → Fsus4 → F → A# → F → Gm → D# — ii–?–I–I–IV–I–ii–? in scale degrees.
14 of the chords need a barre (A#, A#m, A#sus4, C#, Cm, Csus4, D#, F#, F7, Fm, Fsus4, G#, Gm, Gm7), so this sits at a advanced level.
With a capo on fret 3 you can play it with G · Gm · Gsus4 · A · A# · A7 … shapes instead — 12 of 21 become open chords.
Start around 51 BPM with a metronome and work up to 73.
Tempo swings by ±18.3 BPM, so follow the recording rather than a metronome.
Dynamic range is 30 dB — a wide swing, with 15% of the song played quietly.
The first chord lands at 8s, so there is a short intro before you come in.
Balance of the mix: Vocals 37%, Bass 19%, Drums 19%.
The vocal sits between A♯2 and G5 (centred on E4), which helps if you are picking a key to sing in.
Song structure
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:01 | 1–4 | 1 | D → D → A# → C7 → F → C |
| Part B | 0:11 | 5–8 | 2 | Dm → A# → Csus4 → Csus4 → C → Dm7 → A# |
| Part C | 0:24 | 9–12 | 2 | F → C → Dm7 → A# → C → Dm7 → A# |
| Part D | 0:35 | 13–16 | 1 | C → Dm → A# → F → A# → F |
| Part E | 0:45 | 17–24 | 2 | Gm → F → A# → D# → Csus4 → C7 → C → A# |
| Part B | 0:58 | 25–28 | 2 | Csus4 → C → F → C → Dm → A# → C → F |
| Part C | 1:09 | 29–32 | 2 | C → F → C → Dm → A# → A# → C → Dm |
| Part F | 1:22 | 33–36 | 1 | C → F → C → Dm → A# → C → D → Gm |
| Part G | 1:35 | 37–40 | 2 | F → A# → F → Gm → D# → A# → D# → A# |
| Part H | 1:48 | 41–44 | 1 | Cm → A# → D# → G# → Fm → F → D# → A# |
| Part I | 2:01 | 45–48 | 1 | Cm → A# → D# → G# → Fsus4 → F → D7 |
| Part J ★ | 2:14 | 49–56 | 6 | Gm → D# → Fsus4 → F → A# → F → Gm → D# |
★ most repeated — likely the chorus
Practice tips
- At about 73 BPM it's on the slower side — great for first practice.
- 21 chords are used. Loop the sections where chords change quickly.
- This song is in F Major; practicing other songs in the same key builds your chord sense.
Chords used & their notes (fingering reference)
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
Chord progression
