Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for AKMU - '낙하 (NAKKA) (with IU)' OFFICIAL VIDEO. Tutti analyzed the YouTube audio to extract key C Minor, 100 BPM. a progression of 11 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“AKMU - '낙하 (NAKKA) (with IU)' OFFICIAL VIDEO” runs at 100 BPM in 4/4, in C Minor. The chart spans 89 bars and uses 11 distinct chords, changing roughly every 1.8 seconds.
Part A, the most repeated section, loops Cm → Fm → Cm → Gm → Cm → Fm7 → Gm → Cm — i–iv–i–v–i–iv–v–i in scale degrees.
8 of the chords need a barre (A#, Cm, D#, Fm, Fm7, G#, G#maj7, Gm), so this sits at a advanced level.
With a capo on fret 3 you can play it with G · Am · C · D · Dm · Dm7 … shapes instead — 11 of 11 become open chords.
Start around 70 BPM with a metronome and work up to 100.
Tempo swings by ±17.5 BPM, so follow the recording rather than a metronome.
Dynamic range is 20 dB — a moderate swing between soft and loud passages.
The first chord lands at 6s, so there is a short intro before you come in.
Balance of the mix: Bass 32%, Drums 30%, Vocals 28%.
The vocal sits between B2 and A♯5 (centred on C4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:03 | 1–4 | 1 | Fm → Gm → Cm → Fm → Gm |
| Part B | 0:10 | 5–12 | 3 | Cm → Cm → D# → A# → D# → D# → Cm → G#maj7 |
| Part C | 0:22 | 13–16 | 1 | A# → Cm → A# → F → Gm → Cm → D# → D# |
| Part D | 0:32 | 17–20 | 2 | Cm → Cm → G → G7 → Cm → D# → D# → G# |
| Part E ★ | 0:41 | 21–28 | 4 | Cm → Fm → Cm → Gm → Cm → Fm7 → Gm → Cm |
| Part F | 1:00 | 29–32 | 2 | G# → Cm → Fm → G7 → Cm → G# → A# |
| Part G | 1:10 | 33–36 | 4 | Cm → Fm → Fm → Gm → Cm → G# → A# |
| Part B | 1:19 | 37–40 | 3 | Cm → Cm → Cm → D# → D# → Cm |
| Part H | 1:29 | 41–44 | 1 | G# → Cm → Cm → Cm → G# |
| Part I | 1:38 | 45–48 | 1 | A# → D# → Fm → G → Cm → D# → Fm → G |
| Part J | 1:48 | 49–52 | 1 | G → Cm → F → G7 → Cm → D# → D# → Cm |
| Part E ★ | 1:57 | 53–56 | 4 | Cm → Cm → Gm → Cm → Fm7 → Gm |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.