Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for 국악딴따라 - 살아보니 그렇더라 (Official MV). Tutti analyzed the YouTube audio to extract key B Minor, 88 BPM. a progression of 10 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“국악딴따라 - 살아보니 그렇더라 (Official MV)” runs at 88 BPM in 4/4, in B Minor. The chart spans 59 bars and uses 10 distinct chords, changing roughly every 1.6 seconds.
Part A, the most repeated section, loops Bm → A → Bm → G → A → D → Bm → Bm — i–VII–i–VI–VII–III–i in scale degrees.
4 of the chords need a barre (Bm, F#, F#7, F#m), so this sits at a advanced level.
With a capo on fret 2 you can play it with G · Am · C · Dm · Dm7 · E … shapes instead — 10 of 10 become open chords.
Start around 62 BPM with a metronome and work up to 88.
Tempo swings by ±33.0 BPM, so follow the recording rather than a metronome.
Dynamic range is 20 dB — a moderate swing between soft and loud passages.
Balance of the mix: Vocals 40%, Drums 36%, Bass 17%.
The vocal sits between G3 and E5 (centred on E4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A ★ | 0:00 | 1–12 | 4 | Bm → A → Bm → G → A → D → Bm → Bm |
| Part B | 0:33 | 13–16 | 2 | G → A → D → A → Bm → G → Bm → F# |
| Part C | 0:43 | 17–20 | 3 | Bm → A → D → Bm → Em → A → D → F# |
| Part A ★ | 0:54 | 21–24 | 4 | Bm → A → D → A → Bm → G → A → Bm |
| Part D | 1:05 | 25–28 | 1 | Bm → A → G → D |
| Part E | 1:16 | 29–32 | 1 | Em → F#m → Bm → Bm → F#m |
| Part B | 1:27 | 33–36 | 2 | G → F# → Bm → A → D → A → Bm |
| Part C | 1:38 | 37–40 | 3 | Em → Em7 → A → D → F# → Bm → A → D |
| Part F | 1:49 | 41–44 | 1 | G → A → Bm → G → A → F#m → Bm |
| Part G | 2:00 | 45–48 | 1 | Em7 → Em → F# → F#7 → Bm → Bm → A |
| Part C | 2:11 | 49–52 | 3 | D → A → Bm → Em → A → D → F# → Bm |
| Part H | 2:22 | 53–56 | 1 | D → A → Bm → Gmaj7 → A → Bm → Bm → A |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.