Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for KIM HO JOONG(김호중) '함께 가 줄래' MV. Tutti analyzed the YouTube audio to extract key G Major, 125 BPM. a progression of 16 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“KIM HO JOONG(김호중) '함께 가 줄래' MV” runs at 125 BPM in 4/4, in G Major. The chart spans 165 bars and uses 16 distinct chords, changing roughly every 2.5 seconds.
Part A, the most repeated section, loops G7 → C → Gsus4 → G7 → C → F → C → G — I–IV–I–I–IV–?–IV–I in scale degrees.
4 of the chords need a barre (A#7, Csus4, Fm, Gsus4), so this sits at a upper-int. level.
Start around 88 BPM with a metronome and work up to 125.
The pulse holds within ±5.4 BPM, so it tracks a metronome well.
Dynamic range is 22 dB — a moderate swing between soft and loud passages.
The first chord lands at 52s, so there is a short intro before you come in.
Balance of the mix: Vocals 38%, Drums 23%, Bass 15%.
The vocal sits between G2 and A5 (centred on C4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:30 | 1–8 | 1 | C |
| Part B | 0:56 | 9–16 | 2 | C → Gsus4 → Am7 → G7 → F → F → F → C |
| Part C | 1:11 | 17–24 | 4 | C → Am7 → F → C → C → G7 → G7 → Am7 |
| Part B | 1:26 | 25–32 | 2 | C → Dm7 → C → F → G7 → G7 → C → F |
| Part C | 1:42 | 33–40 | 4 | C → G → Am7 → F → G7 → G7 → G7 → G7 |
| Part D | 1:57 | 41–48 | 1 | Am → F → F → F → F → Am7 → Am7 → Am7 |
| Part E | 2:12 | 49–56 | 3 | D → G → G → C → Fmaj7 → C → C → Am |
| Part F | 2:25 | 57–64 | 2 | Am → D → D7 → G → G → G7 → C → F |
| Part G ★ | 2:41 | 65–80 | 5 | G7 → C → Gsus4 → G7 → C → F → C → G |
| Part H | 3:11 | 81–88 | 1 | F → F → Gsus4 → G → G → C → F → Dm7 |
| Part C | 3:26 | 89–96 | 4 | F → C → C → C → G → Am7 → F → G |
| Part I | 3:42 | 97–104 | 1 | F → E7 → E7 → Am → F → F → F → F |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
