Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for BTS 방탄소년단 'Come Over' Official Audio. Tutti analyzed the YouTube audio to extract key B Minor, 94 BPM. a progression of 12 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“BTS 방탄소년단 'Come Over' Official Audio” runs at 94 BPM in 4/4, in B Minor. The chart spans 71 bars and uses 12 distinct chords, changing roughly every 2.6 seconds.
Part A, the most repeated section, loops G → G → A → Bm → F# → G → A → Bm — VI–VII–i–v–VI–VII–i in scale degrees.
4 of the chords need a barre (B, Bm, F#, F#7), so this sits at a upper-int. level.
With a capo on fret 2 you can play it with G · G7 · Gm · A · Am · C … shapes instead — 11 of 12 become open chords.
Start around 66 BPM with a metronome and work up to 94.
Tempo swings by ±23.8 BPM, so follow the recording rather than a metronome.
Dynamic range is 15 dB — a moderate swing between soft and loud passages.
The first chord lands at 2s, so there is a short intro before you come in.
Balance of the mix: Bass 34%, Vocals 31%, Drums 23%.
The vocal sits between A♯2 and B4 (centred on C♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A ★ | 0:00 | 1–8 | 2 | G → G → A → Bm → F# → G → A → Bm |
| Part B | 0:14 | 9–16 | 1 | F# → F#7 → F# → F# → B → Bm → B → G |
| Part A ★ | 0:34 | 17–24 | 2 | A → G → Am → A → Bm → F# → Bm → G |
| Part C | 0:54 | 25–32 | 2 | F# → E7 → E7 → E7 → Bm → E → G → A |
| Part D | 1:14 | 33–40 | 1 | E → G → A → Bm → D → B → B → B |
| Part E | 1:34 | 41–48 | 1 | B → B → E → G → A7 → A → Bm → F# |
| Part C | 1:55 | 49–56 | 2 | A7 → D → Bm → F# → E7 → E7 → E7 → E |
| Part F | 2:15 | 57–64 | 1 | A → Bm → E → G → A → Bm → Bm → Bm |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
