Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for IU 'Love wins all' MV. Tutti analyzed the YouTube audio to extract key F Major, 150 BPM. a progression of 17 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“IU 'Love wins all' MV” runs at 150 BPM in 3/4, in F Major. The chart spans 201 bars and uses 17 distinct chords, changing roughly every 3.0 seconds.
Part A, the most repeated section, loops C → C → Am7 → Am7 → Am7 → Am7 → F → F — V–iii–I in scale degrees.
9 of the chords need a barre (A#, A#m, A#m7, C#, D#, F#, Fsus2, G#, Gsus4), so this sits at a advanced level.
With a capo on fret 1 you can play it with A · Am · Am7 · G#m · G#m7 · B … shapes instead — 9 of 17 become open chords.
Start around 105 BPM with a metronome and work up to 150.
Tempo swings by ±19.8 BPM, so follow the recording rather than a metronome.
Dynamic range is 39 dB — a wide swing, with 29% of the song played quietly.
The first chord lands at 20s, so there is a short intro before you come in.
Balance of the mix: Vocals 39%, Other 15%, Bass 15%.
The vocal sits between C3 and F5 (centred on A4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:33 | 1–8 | 1 | C → C → C |
| Part B ★ | 0:43 | 9–16 | 4 | C → C → Am7 → Am7 → Am7 → Am7 → F → F |
| Part C | 0:52 | 17–24 | 4 | F → F → G → G → G → G → G → C |
| Part B ★ | 1:02 | 25–32 | 4 | C → C → Am7 → Am7 → Am7 → Am7 → F → F |
| Part C | 1:11 | 33–40 | 4 | F → F → Gsus4 → Gsus4 → Gsus4 → Gsus4 → C → C |
| Part B ★ | 1:21 | 41–48 | 4 | C → C → Am7 → Am7 → Am7 → Am7 → F → F |
| Part D | 1:34 | 49–56 | 1 | F → F → G → Gsus4 → Gsus4 → Gsus4 → Gsus4 → Am7 |
| Part E | 1:53 | 57–64 | 4 | F → F → Am7 → C → F → F → F → Gsus4 |
| Part B ★ | 2:11 | 65–72 | 4 | C → C → C → Am7 → Am7 → Am7 → Am7 → F |
| Part E | 2:27 | 73–80 | 4 | F → F → F → C → F → G7 → F → G7 |
| Part F | 2:37 | 81–88 | 2 | C → C → C → C → Am7 → Am7 → Am7 → Am7 |
| Part E | 2:54 | 89–96 | 4 | F → C → F → F → C → F → G7 → F |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.