Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for [M/V] 임영웅 - 사랑은 늘 도망가 :: 신사와 아가씨(Young Lady and Gentleman) OST Part.2. Tutti analyzed the YouTube audio to extract key G# Major, 67 BPM. a progression of 12 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“[M/V] 임영웅 - 사랑은 늘 도망가 :: 신사와 아가씨(Young Lady and Gentleman) OST Part.2” runs at 67 BPM in 4/4, in G# Major. The chart spans 65 bars and uses 12 distinct chords, changing roughly every 1.7 seconds.
Part A, the most repeated section, loops C# → G# → D# → Fm → D# → C# → G# — IV–I–V–vi–V–IV–I in scale degrees.
11 of the chords need a barre (A#m, A#m7, C#, Cm, Cm7, D#, D#7, D#sus4, Fm, Fm7, G#), so this sits at a advanced level.
With a capo on fret 1 you can play it with Am · Am7 · C · Bm · Bm7 · D … shapes instead — 9 of 12 become open chords.
Start around 47 BPM with a metronome and work up to 67.
Tempo drifts by about ±14.9 BPM — steady enough to practise to a click.
Dynamic range is 29 dB — a wide swing, with 18% of the song played quietly.
The first chord lands at 2s, so there is a short intro before you come in.
Balance of the mix: Vocals 37%, Bass 18%, Guitar 16%.
The vocal sits between C♯3 and C5 (centred on A♯3), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A ★ | 0:02 | 1–4 | 4 | C# → G# → D# → Fm → D# → C# → G# |
| Part B | 0:17 | 5–8 | 3 | A#m7 → D# → G# → D# → Fm → D# → C# → D# |
| Part A ★ | 0:31 | 9–12 | 4 | G# → C# → G# → D# → Fm → D# → C# → G# |
| Part B | 0:46 | 13–16 | 3 | A#m → A#m7 → C# → D# → G# → D# → Fm → D# |
| Part C | 1:00 | 17–20 | 1 | G# → C# → G# → C# → G# → Fm → Cm7 → Cm |
| Part D | 1:08 | 21–24 | 2 | A#m7 → G# → D# → Fm → G# → D# → C# → A#m7 |
| Part E | 1:15 | 25–28 | 3 | G# → C# → G# → Fm7 → D# → C# → G# |
| Part A ★ | 1:22 | 29–32 | 4 | A#m7 → D# → C# → G# → D# → Fm7 → G# → D# |
| Part B | 1:29 | 33–36 | 3 | A#m7 → D#7 → G# → D# → Fm → D# → C# → D# |
| Part E | 1:44 | 37–40 | 3 | G# → C# → G# → Fm → G# → C# → G# |
| Part D | 1:58 | 41–44 | 2 | A#m7 → D# → A#m7 → G# → D# → Fm → G# → D# |
| Part F | 2:13 | 45–48 | 1 | G# → C# → G# → D# → Fm → D# → C# → G# |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
![[M/V] 임영웅 - 사랑은 늘 도망가 :: 신사와 아가씨(Young Lady and Gentleman) OST Part.2](https://i.ytimg.com/vi/LKQ-18LoFQk/hqdefault.jpg)