Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for For JEONG and LOVE. Tutti analyzed the YouTube audio to extract key G# Major, 125 BPM. a progression of 6 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“For JEONG and LOVE” runs at 125 BPM in 4/4, in G# Major. The chart spans 91 bars and uses 6 distinct chords, changing roughly every 3.5 seconds.
Part A, the most repeated section, loops A# → A# → D# → D# → Cm → Cm → G#maj7 → G#maj7 — ii–V–iii–I in scale degrees.
6 of the chords need a barre (A#, A#sus4, Cm, D#, G#, G#maj7), so this sits at a upper-int. level.
With a capo on fret 3 you can play it with G · Gsus4 · Am · C · F · Fmaj7 shapes instead — 5 of 6 become open chords.
Start around 88 BPM with a metronome and work up to 125.
The pulse holds within ±4.8 BPM, so it tracks a metronome well.
Dynamic range is 10 dB — held fairly even throughout.
The first chord lands at 3s, so there is a short intro before you come in.
Balance of the mix: Vocals 29%, Bass 27%, Drums 20%.
The vocal sits between C♯3 and A♯4 (centred on D♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–8 | 2 | D# → D# → D# → Cm → Cm → G# → G# |
| Part B ★ | 0:15 | 9–16 | 5 | A# → A# → D# → D# → Cm → Cm → G#maj7 → G#maj7 |
| Part C | 0:30 | 17–24 | 2 | A# → A# → Cm → A# → G# → G# → Cm → A# |
| Part D | 0:45 | 25–32 | 2 | G# → G# → D# → D# → Cm → Cm → G# → G# |
| Part B ★ | 1:00 | 33–48 | 5 | A# → A# → D# → D# → Cm → Cm → G# → G# |
| Part C | 1:31 | 49–56 | 2 | A# → A# → Cm → A# → G# → G# → Cm → A# |
| Part D | 1:46 | 57–64 | 2 | G# → G# → D# → D# → Cm → Cm → G# → G# |
| Part B ★ | 2:01 | 65–72 | 5 | A# → A# → D# → D# → Cm → Cm → G# → G# |
| Part A | 2:16 | 73–80 | 2 | A# → A#sus4 → A# → A# → D# → D# → D# → Cm |
| Part B ★ | 2:31 | 81–88 | 5 | G# → A# → A# → D# → D# → Cm → Cm → G# |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.