Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for PLAVE '꽃송이들의 퍼레이드' Official Audio. Tutti analyzed the YouTube audio to extract key F Major, 97 BPM. a progression of 29 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“PLAVE '꽃송이들의 퍼레이드' Official Audio” runs at 97 BPM in 4/4, in F Major. The chart spans 66 bars and uses 29 distinct chords, changing roughly every 1.4 seconds.
Part A, the most repeated section, loops Fmaj7 → D7 → D → D7 → Gm → Gm7 → A#m — I–vi–vi–vi–ii–ii–IV in scale degrees.
17 of the chords need a barre (A#, A#6, A#dim7, A#m, A#m6, A#maj7, Am7b5, C#maj7, Cm, Cm7, D#, D#m, F#dim, F#dim7, F7, Gm, Gm7), so this sits at a advanced level.
With a capo on fret 5 you can play it with F · F6 · Fdim7 · Fm · Fm6 · Fmaj7 … shapes instead — 16 of 29 become open chords.
Start around 68 BPM with a metronome and work up to 97.
Tempo swings by ±18.5 BPM, so follow the recording rather than a metronome.
Dynamic range is 16 dB — a moderate swing between soft and loud passages.
The first chord lands at 3s, so there is a short intro before you come in.
Balance of the mix: Vocals 58%, Bass 20%, Guitar 18%.
The vocal sits between C♯2 and A♯4 (centred on C4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–4 | 1 | F → F → Cm → F → F → Gm → A#m → A# |
| Part B | 0:10 | 5–12 | 2 | F → A# → D#m → F → Gm → A# → Cm → A# |
| Part C | 0:30 | 13–16 | 2 | A#m → Am7b5 → Cm → D7 → Gm → F → A# → A# |
| Part D | 0:40 | 17–20 | 2 | F → Dm7 → A# → F#dim → F#dim7 → A# → F → C#maj7 |
| Part E ★ | 0:50 | 21–24 | 3 | Fmaj7 → D7 → D → D7 → Gm → Gm7 → A#m |
| Part F | 0:58 | 25–28 | 1 | Am → Am7 → Am7 → Am7 → Gm7 → A# → A# → C |
| Part G | 1:08 | 29–32 | 1 | F → D#m → D7 → Gm → A# → C → A# → F |
| Part H | 1:18 | 33–36 | 1 | F → C → F → F → Gm7 → C7 → C7 → Gm7 |
| Part C | 1:28 | 37–40 | 2 | B7 → Am7 → Cm → D7 → Gm → F → A# → A#6 |
| Part D | 1:38 | 41–44 | 2 | F → F7 → Dm7 → A# → F#dim → F#dim7 → F#dim7 → A# |
| Part E ★ | 1:48 | 45–48 | 3 | Fmaj7 → D → D7 → Gm → Gm7 → A#m |
| Part I | 1:57 | 49–52 | 1 | Am7 → Am7 → D7 → D7 → Gm7 → A# → A# → Cm7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
