Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for TXT (투모로우바이투게더) 'Sugar Rush Ride' Official MV. Tutti analyzed the YouTube audio to extract key F Minor, 125 BPM. a progression of 11 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“TXT (투모로우바이투게더) 'Sugar Rush Ride' Official MV” runs at 125 BPM in 4/4, in F Minor. The chart spans 110 bars and uses 11 distinct chords, changing roughly every 2.3 seconds.
Part A, the most repeated section, loops Fm → A#m → Cm7 → Cm7 → Fm — i–iv–v–i in scale degrees.
8 of the chords need a barre (A#, A#m, A#m7, Cm, Cm7, F7, Fm, Fm7), so this sits at a upper-int. level.
With a capo on fret 3 you can play it with G · Gm · Gm7 · A · A7 · Am … shapes instead — 9 of 11 become open chords.
Start around 88 BPM with a metronome and work up to 125.
Tempo drifts by about ±10.5 BPM — steady enough to practise to a click.
Dynamic range is 31 dB — a wide swing, with 14% of the song played quietly.
The first chord lands at 7s, so there is a short intro before you come in.
Balance of the mix: Bass 35%, Vocals 26%, Drums 21%.
The vocal sits between E2 and D♯5 (centred on F4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–4 | 1 | Fm |
| Part B | 0:08 | 5–8 | 2 | Fm → Fm → A#m → A#m → Fm → Fm |
| Part C ★ | 0:15 | 9–12 | 4 | Fm → A#m → Cm7 → Cm7 → Fm |
| Part D | 0:23 | 13–20 | 4 | Fm → A#m → Fm → A#m → Cm → Fm → Fm → A#m |
| Part C ★ | 0:38 | 21–28 | 4 | Fm → A#m → A#m → Cm → Cm → Fm → Fm → A#m |
| Part E | 0:54 | 29–32 | 1 | Fm → A#m7 → A#m7 → F7 |
| Part F | 1:01 | 33–36 | 1 | F7 → A# → F7 → C7 → F7 |
| Part G | 1:09 | 37–40 | 2 | F7 → Fm → A#m → A#m → C → Fm |
| Part H | 1:17 | 41–44 | 1 | Fm → A#m → Fm → Fm → C7 → Fm |
| Part I | 1:24 | 45–48 | 1 | Fm → A# → A# → C → Cm → Cm → Fm7 |
| Part D | 1:32 | 49–52 | 4 | Fm7 → Fm7 → A#m7 → Cm7 → Fm7 |
| Part J | 1:40 | 53–56 | 1 | Fm → A#m → Fm → Cm → Fm → Fm |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.