Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for [MV] MeloMance(멜로망스) _ Love, Maybe(사랑인가 봐) (사내맞선 OST 스페셜 트랙(A Business Proposal OST Special Track)). Tutti analyzed the YouTube audio to extract key F Minor, 86 BPM. a progression of 25 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“[MV] MeloMance(멜로망스) _ Love, Maybe(사랑인가 봐) (사내맞선 OST 스페셜 트랙(A Business Proposal OST Special Track))” runs at 86 BPM in 4/4, in F Minor. The chart spans 66 bars and uses 25 distinct chords, changing roughly every 1.4 seconds.
Part A, the most repeated section, loops Cm7 → Fm7 → A#m7 → C#m6 → G# → A#7 → D#7 → G# — v–i–iv–VI–III–iv–VII–III in scale degrees.
23 of the chords need a barre (A#, A#7, A#m, A#m7, Aaug, C#, C#7, C#m6, Caug, Cm7, D#, D#7, D#m6, D#sus4, Eaug, F7, Faug, Fm, Fm6, Fm7, G#, G#7, Gm7b5), so this sits at a advanced level.
With a capo on fret 1 you can play it with A · A7 · Am · Am7 · G#aug · C … shapes instead — 14 of 25 become open chords.
Start around 60 BPM with a metronome and work up to 86.
Tempo swings by ±40.0 BPM, so follow the recording rather than a metronome.
Dynamic range is 20 dB — a moderate swing between soft and loud passages.
Balance of the mix: Vocals 34%, Drums 18%, Bass 18%.
The vocal sits between F3 and G5 (centred on D♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–4 | 1 | G# → Caug → Fm → Caug → G# → Caug → Fm → Eaug |
| Part B | 0:11 | 5–8 | 1 | G# → Eaug → Fm → G#7 → C# → A#m7 → Faug |
| Part C ★ | 0:22 | 9–12 | 2 | Cm7 → Fm7 → A#m7 → C#m6 → G# → A#7 → D#7 → G# |
| Part D | 0:34 | 13–16 | 2 | Fm7 → Cm7 → C# → Cm7 → G# → A#7 → D# |
| Part E | 0:45 | 17–20 | 2 | G# → C# → D# → Cm7 → Fm7 → Fm7 → C# → D# |
| Part F | 0:56 | 21–24 | 1 | Fm7 → C# → D# → Cm7 → Fm → A#m7 → D#7 → G# |
| Part G | 1:07 | 25–28 | 2 | Fm → G#7 → C# → Faug → A#m → Faug → Cm7 → Fm7 |
| Part C ★ | 1:18 | 29–32 | 2 | A#m7 → C#m6 → G# → A#m7 → D#7 → G# → D# → Fm7 |
| Part H | 1:29 | 33–36 | 1 | C# → G# → A# → D# → Fm → G# → C# → D# |
| Part E | 1:41 | 37–40 | 2 | Cm7 → Fm7 → Fm7 → C# → D# → D#m6 → F7 → F7 |
| Part I | 1:52 | 41–44 | 1 | D# → Fm → A#m7 → D# → D# → C7 → D#m6 → F7 |
| Part J | 2:03 | 45–48 | 1 | A#m → Aaug → Faug → C# → Gm7b5 → C7 → Fm → Cm7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.