Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for [멜로가 체질 OST Part 3] 장범준 (Beom June Jang) - 흔들리는 꽃들 속에서 네 샴푸향이 느껴진거야 MV. Tutti analyzed the YouTube audio to extract key B Major, 100 BPM. a progression of 13 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“[멜로가 체질 OST Part 3] 장범준 (Beom June Jang) - 흔들리는 꽃들 속에서 네 샴푸향이 느껴진거야 MV” runs at 100 BPM in 4/4, in B Major. The chart spans 69 bars and uses 13 distinct chords, changing roughly every 1.8 seconds.
Part A, the most repeated section, loops B → F# → G#m7 → G#m7 → F# → E → E → B — I–V–vi–V–IV–I in scale degrees.
11 of the chords need a barre (B, Bmaj7, C#m, C#m7, D#m, D#m7, F#, F#7, F#m, G#m, G#m7), so this sits at a advanced level.
With a capo on fret 4 you can play it with G · Gmaj7 · Am · Am7 · Bm · Bm7 … shapes instead — 11 of 13 become open chords.
Start around 70 BPM with a metronome and work up to 100.
Tempo swings by ±18.7 BPM, so follow the recording rather than a metronome.
Dynamic range is 9 dB — held fairly even throughout.
The first chord lands at 2s, so there is a short intro before you come in.
Balance of the mix: Vocals 34%, Bass 30%, Drums 17%.
The vocal sits between B2 and F♯4 (centred on B3), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A ★ | 0:02 | 1–4 | 7 | B → F# → G#m7 → G#m7 → F# → E → E → B |
| Part B | 0:11 | 5–8 | 3 | B → D#m7 → G#m7 → D#m7 |
| Part C | 0:21 | 9–12 | 3 | E → F# → D#m7 → G#m7 → C#m7 → F# → B |
| Part B | 0:30 | 13–16 | 3 | B → D#m7 → G#m7 → D#m7 |
| Part C | 0:40 | 17–20 | 3 | E → F# → D#m → G#m → C#m7 → C#m → F# |
| Part A ★ | 0:50 | 21–28 | 7 | B → F# → G#m7 → F# → Emaj7 → Emaj7 → E → B |
| Part B | 1:04 | 29–32 | 3 | B → D#m7 → G#m7 → D#m7 |
| Part C | 1:14 | 33–36 | 3 | E → F# → D#m → G#m → C#m7 → C#m → C#m → F# |
| Part A ★ | 1:23 | 37–40 | 7 | B → F# → G#m7 → F# → Emaj7 → B → B |
| Part D | 1:29 | 41–44 | 1 | B → F# → G#m7 → Emaj7 → Emaj7 → F# → E → E |
| Part E | 1:34 | 45–48 | 1 | G#m7 → F# → C#m → F# → F# → D#m7 → G#m7 |
| Part F | 1:42 | 49–52 | 1 | G#m7 → C#m → C#m → C#m |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.