Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for [MV] Paul Kim(폴킴) _ Me After You(너를 만나). Tutti analyzed the YouTube audio to extract key G Major, 71 BPM. a progression of 24 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“[MV] Paul Kim(폴킴) _ Me After You(너를 만나)” runs at 71 BPM in 4/4, in G Major. The chart spans 80 bars and uses 24 distinct chords, changing roughly every 2.3 seconds.
Part A, the most repeated section, loops G7 → C → Bm7 → G → F → G → C → F — I–IV–iii–I–?–I–IV–? in scale degrees.
10 of the chords need a barre (A#, A#7, Asus4, Bm7, C#dim7, F#m7, F6, Fm7, Gm7, Gsus4), so this sits at a upper-int. level.
Start around 50 BPM with a metronome and work up to 71.
Tempo swings by ±18.0 BPM, so follow the recording rather than a metronome.
Dynamic range is 27 dB — a wide swing, with 21% of the song played quietly.
The first chord lands at 6s, so there is a short intro before you come in.
Balance of the mix: Vocals 40%, Bass 17%, Guitar 15%.
The vocal sits between B2 and D5 (centred on C4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:03 | 1–8 | 2 | Em → C → G → Em7 → F → Dm7 → G → G |
| Part B | 0:30 | 9–16 | 1 | Gsus4 → C → C → Bm7 → G → Em7 → A# → Asus4 |
| Part C | 0:56 | 17–24 | 2 | C → Dm7 → Em7 → Fmaj7 → Em7 → Am7 → Dm7 → G7 |
| Part D ★ | 1:23 | 25–32 | 3 | G7 → C → Bm7 → G → F → G → C → F |
| Part E | 1:50 | 33–40 | 1 | G7 → G7 → C → Dm7 → C → Gm7 → C7 → Fmaj7 |
| Part D ★ | 2:16 | 41–48 | 3 | Fmaj7 → F6 → Em7 → Am7 → Dm7 → G7 → C → C |
| Part C | 2:43 | 49–56 | 2 | F → Em7 → Am7 → Dm7 → G7 → Dm7 → G7 → C |
| Part F | 3:10 | 57–64 | 1 | F#m7 → B7 → Em7 → Am7 → A7 → Dm7 → Gsus4 → Gsus4 |
| Part A | 3:36 | 65–72 | 2 | G → Em7 → C → Fmaj7 → G7 → Em7 → G → Dm7 |
| Part D ★ | 4:03 | 73–80 | 3 | G → Fmaj7 → Em7 → Am7 → Dm7 → Gsus4 → Gsus4 → G7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.