Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for 박다혜,마크툽 (MAKTUB) – 시작의 아이 ❍ ハジマリのコ Starting With You : ♡. Tutti analyzed the YouTube audio to extract key E Major, 75 BPM. a progression of 19 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“박다혜,마크툽 (MAKTUB) – 시작의 아이 ❍ ハジマリのコ Starting With You : ♡” runs at 75 BPM in 4/4, in E Major. The chart spans 80 bars and uses 19 distinct chords, changing roughly every 1.7 seconds.
Part A, the most repeated section, loops Dmaj7 → E → E → F#m7 → E → Dmaj7 → C#m7 → Bm7 — ?–I–ii–I–?–vi–V in scale degrees.
6 of the chords need a barre (Bm, Bm7, C#m, C#m7, F#m, F#m7), so this sits at a advanced level.
Start around 52 BPM with a metronome and work up to 75.
Tempo swings by ±17.1 BPM, so follow the recording rather than a metronome.
Dynamic range is 17 dB — a moderate swing between soft and loud passages.
Balance of the mix: Vocals 37%, Bass 20%, Drums 17%.
The vocal sits between G♯3 and A5 (centred on A4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–4 | 2 | A → A → E → E → F#m → D → D → E |
| Part B | 0:06 | 5–8 | 1 | D → E → A → E → F#m → F#m7 → D → D |
| Part C ★ | 0:13 | 9–16 | 4 | Dmaj7 → E → E → F#m7 → E → Dmaj7 → C#m7 → Bm7 |
| Part D | 0:26 | 17–20 | 2 | Dmaj7 → E7 → E7 → E → A → E → F#m7 → D |
| Part E | 0:35 | 21–24 | 4 | Bm7 → C#m7 → D → E → A → E → F#m → D |
| Part F | 0:48 | 25–28 | 1 | Bm → Bm7 → C#m → Dmaj7 → E → A → E → A |
| Part G | 0:58 | 29–32 | 1 | A → F#m7 → F#m7 → Dmaj7 → Bm7 → C#m7 → Dmaj7 → Bm7 |
| Part E | 1:09 | 33–36 | 4 | A → E → F#m7 → Dmaj7 → Bm7 → C#m → C#m7 → Dmaj7 |
| Part C ★ | 1:22 | 37–44 | 4 | F#m7 → E → Dmaj7 → C#m7 → Bm7 → C#m7 → Dmaj7 → E |
| Part E | 1:47 | 45–52 | 4 | E → A → E → F#m7 → D → Bm7 → C#m → D |
| Part A | 2:13 | 53–56 | 2 | Dmaj7 → E → A → A → E → F#m7 → Dmaj7 → D |
| Part D | 2:22 | 57–60 | 2 | A → E → D → E → F#m7 → E → D → C#m |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
