Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for Rick Astley - Never Gonna Give You Up (Official Video) (4K Remaster). Tutti analyzed the YouTube audio to extract key G# Major, 115 BPM. a progression of 10 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“Rick Astley - Never Gonna Give You Up (Official Video) (4K Remaster)” runs at 115 BPM in 4/4, in G# Major. The chart spans 101 bars and uses 10 distinct chords, changing roughly every 1.6 seconds.
Part A, the most repeated section, loops G# → C# → G# → Fm → A#m → G# → C# → C# — I–IV–I–vi–ii–I–IV in scale degrees.
10 of the chords need a barre (A#, A#m, A#m7, C#, D#m7, F#, F#maj7, Fm, Fm7, G#), so this sits at a advanced level.
With a capo on fret 1 you can play it with A · Am · Am7 · C · Dm7 · F … shapes instead — 10 of 10 become open chords.
Start around 81 BPM with a metronome and work up to 115.
The pulse holds within ±3.6 BPM, so it tracks a metronome well.
Dynamic range is 14 dB — a moderate swing between soft and loud passages.
The first chord lands at 2s, so there is a short intro before you come in.
Balance of the mix: Vocals 44%, Drums 32%, Bass 15%.
The vocal sits between F2 and G♯4 (centred on C♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:01 | 1–8 | 1 | D#m7 → G# → Fm → A#m → A#m → G# → Fm → C# |
| Part B | 0:18 | 9–16 | 1 | C# → F#maj7 → A#m → G# → F#maj7 → F#maj7 → G# → F#maj7 |
| Part C | 0:35 | 17–24 | 3 | F#maj7 → G# → F#maj7 → G# → G# → F# → G# → C# |
| Part D | 0:51 | 25–32 | 1 | G# → C# → A#m → G# → Fm → A#m → D#m7 → G# |
| Part C | 1:00 | 33–40 | 3 | A#m → G# → G# → F#maj7 → G# → F#maj7 → A#m7 → A#m |
| Part E ★ | 1:17 | 41–56 | 4 | G# → C# → G# → Fm → A#m → G# → C# → C# |
| Part F | 1:48 | 57–64 | 1 | C# → C# → A#m → C# → Fm → A#m → C# → A# |
| Part G | 1:58 | 65–72 | 1 | G# → G# → G# → Fm7 → G# → G# → G# → A#m |
| Part C | 2:14 | 73–80 | 3 | G# → Fm7 → F#maj7 → Fm7 → G# → G# → F# → G# |
| Part E ★ | 2:31 | 81–96 | 4 | G# → C# → A#m → A#m → G# → Fm → A#m → A#m |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
