Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for Shepherd of My Soul. Tutti analyzed the YouTube audio to extract key D# Major, 71 BPM. a progression of 20 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“Shepherd of My Soul” runs at 71 BPM in 4/4, in D# Major. The chart spans 56 bars and uses 20 distinct chords, changing roughly every 1.7 seconds.
Part A, the most repeated section, loops A#sus4 → D# → Cm → Fm → F → A#sus4 → A#7 → A#sus4 — V–I–vi–ii–ii–V–V–V in scale degrees.
17 of the chords need a barre (A#, A#7, A#m7, A#sus4, Cm, Cm7, D#, D#7, D#sus4, Fm, Fm6, Fm7, G#, G#maj7, G#sus2, Gm, Gm7), so this sits at a advanced level.
With a capo on fret 3 you can play it with G · G7 · Gm7 · Gsus4 · F#m7 · A7 … shapes instead — 14 of 20 become open chords.
Start around 50 BPM with a metronome and work up to 71.
Tempo swings by ±21.5 BPM, so follow the recording rather than a metronome.
Dynamic range is 20 dB — a moderate swing between soft and loud passages.
The first chord lands at 2s, so there is a short intro before you come in.
Balance of the mix: Guitar 60%, Bass 31%, Drums 8%.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:02 | 1–4 | 1 | D# → G# → A# → G# |
| Part B | 0:10 | 5–8 | 1 | Fm7 → D# → G# → Fm → A#7 → D# → Fm7 |
| Part C ★ | 0:17 | 9–12 | 2 | A#sus4 → D# → Cm → Fm → F → A#sus4 → A#7 → A#sus4 |
| Part D | 0:27 | 13–16 | 1 | Fm7 → A#sus4 → Cm → A#sus4 → G#sus2 → A#sus4 → D# → A#sus4 |
| Part C ★ | 0:35 | 17–20 | 2 | Fm7 → A#sus4 → D# → Cm → Fm → Fm7 → A#sus4 → A#sus4 |
| Part E | 0:44 | 21–24 | 1 | Fm7 → A#sus4 → Cm → A#sus4 → G#sus2 → A#sus4 → D# → A#m7 |
| Part F | 0:50 | 25–28 | 2 | A#7 → Gm → Cm → Cm7 → Fm7 → Fm7 → A#sus4 → D# |
| Part G | 0:59 | 29–32 | 2 | Fm7 → Gm7 → C7 → Fm7 → A#7 → D# → D# |
| Part H | 1:07 | 33–40 | 2 | D# → G# → Fm6 → Gm7 → Cm7 → Fm7 → D# → A#m7 |
| Part F | 1:22 | 41–44 | 2 | D# → D#sus4 → G# → A#7 → Gm → Gm7 → Cm7 → Fm7 |
| Part G | 1:29 | 45–48 | 2 | D# → D#sus4 → G#sus2 → G#maj7 → Fm7 → Gm7 → C7 → Fm7 |
| Part I | 1:35 | 49–52 | 1 | D# → Cm7 → Fm7 → Fm7 → A#7 → Cm7 → Am7 → Am7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
