Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for Young K - F world (Official Audio). Tutti analyzed the YouTube audio to extract key A# Minor, 70 BPM. a progression of 18 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“Young K - F world (Official Audio)” runs at 70 BPM in 4/4, in A# Minor. The chart spans 50 bars and uses 18 distinct chords, changing roughly every 1.5 seconds.
Part A, the most repeated section, loops A#m → G# → F#m → D#m7 → G#7 → C# — i–VII–VI–iv–VII–III in scale degrees.
17 of the chords need a barre (A#m, B, B6, C#, C#maj7, Cm7, Cm7b5, D#, D#7, D#m, D#m7, F#, F#m, F7, Fm, G#, G#7), so this sits at a advanced level.
With a capo on fret 1 you can play it with Am · A# · A#6 · C · Cmaj7 · Bm7 … shapes instead — 13 of 18 become open chords.
Start around 49 BPM with a metronome and work up to 70.
The pulse holds within ±4.2 BPM, so it tracks a metronome well.
Dynamic range is 18 dB — a moderate swing between soft and loud passages.
The first chord lands at 2s, so there is a short intro before you come in.
Balance of the mix: Bass 32%, Vocals 27%, Drums 27%.
The vocal sits between G♯2 and B4 (centred on C♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–4 | 1 | D#7 → D#7 → C# → Cm7 → F7 |
| Part B | 0:09 | 5–8 | 1 | A#m → F#m → C# → Cm7 → Cm7b5 → F7 |
| Part C ★ | 0:21 | 9–12 | 2 | A#m → G# → F#m → D#m7 → G#7 → C# |
| Part D | 0:32 | 13–16 | 2 | G# → A#m → F# → G# → A#m → F# → F → A#m |
| Part E | 0:39 | 17–20 | 2 | F# → G# → A#m → F# → G# → A#m → F# → F |
| Part F | 0:46 | 21–24 | 1 | C# → F# → G# → C# → C#maj7 → Cm7 → F7 → A#m |
| Part C ★ | 0:53 | 25–28 | 2 | F#m → D#m7 → G#7 → C# → F# → G# → A#m |
| Part D | 1:00 | 29–32 | 2 | F# → G# → A#m → F# → F → A#m → F# → D#m |
| Part G | 1:07 | 33–36 | 1 | F# → G# → A#m → F# → F → A#m → F# → G# |
| Part H | 1:21 | 37–40 | 1 | F# → F#m → C# → D# → D#7 → F#m → C# → D#7 |
| Part I | 1:32 | 41–44 | 1 | D#m7 → A#m → G# → G# → F# → C# → F# → C# |
| Part E | 1:39 | 45–48 | 2 | F# → C# → Fm → F# → F# → G# → A#m → F# |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
