Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for TAEYANG - ‘LIVE FAST DIE SLOW’ M/V. Tutti analyzed the YouTube audio to extract key D# Major, 176 BPM. a progression of 20 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“TAEYANG - ‘LIVE FAST DIE SLOW’ M/V” runs at 176 BPM in 4/4, in D# Major. The chart spans 128 bars and uses 20 distinct chords, changing roughly every 2.1 seconds.
Part A, the most repeated section, loops Cm → Cm → F → F → G# → B → D# → D# — vi–ii–IV–?–I in scale degrees.
17 of the chords need a barre (A#m, B, C#, C#7, Cm, Cm6, Cm7, D#, D#7, D#m, F7, Fm, Fm7, G#, G#7, G#m, G#m6), so this sits at a advanced level.
With a capo on fret 1 you can play it with Am · A# · B · C · C7 · Bm … shapes instead — 12 of 20 become open chords.
Start around 124 BPM with a metronome and work up to 176.
Tempo swings by ±20.4 BPM, so follow the recording rather than a metronome.
Dynamic range is 24 dB — a moderate swing between soft and loud passages.
The first chord lands at 1s, so there is a short intro before you come in.
Balance of the mix: Bass 28%, Drums 26%, Vocals 26%.
The vocal sits between G3 and F5 (centred on F4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:01 | 1–16 | 2 | D# → D# → Fm7 → Fm → C# → C# → C# → C# |
| Part B ★ | 0:28 | 17–32 | 8 | Cm → Cm → F → F → G# → B → D# → D# |
| Part C | 0:50 | 33–40 | 2 | Cm → Cm → F7 → Cm6 → G# → G# → G# → G#m6 |
| Part B ★ | 1:01 | 41–56 | 8 | Cm → Cm → F → F → G#m → B → D# → D# |
| Part D | 1:23 | 57–64 | 1 | F → C → C → F → F → F → D# → D# |
| Part E | 1:31 | 65–72 | 1 | Cm → Cm → F → F → F → G# → G# → D# |
| Part C | 1:37 | 73–80 | 2 | Cm → Cm → Cm6 → Cm6 → G# → G# → G#m6 → D# |
| Part B ★ | 1:47 | 81–96 | 8 | Cm → Cm → F → F → G#m → B → D# → D# |
| Part F | 2:09 | 97–104 | 1 | C → Cm → Cm → C → F → F → G# → F |
| Part G | 2:20 | 105–112 | 1 | C → C → F → F → F → F7 → F7 → G# |
| Part B ★ | 2:31 | 113–128 | 8 | Cm7 → Cm7 → F7 → F7 → F7 → G# → G# → G#7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
