Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for 버스커 버스커 (Busker Busker) - 벚꽃 엔딩. Tutti analyzed the YouTube audio to extract key E Major, 120 BPM. a progression of 17 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“버스커 버스커 (Busker Busker) - 벚꽃 엔딩” runs at 120 BPM in 4/4, in E Major. The chart spans 134 bars and uses 17 distinct chords, changing roughly every 1.8 seconds.
Part A, the most repeated section, loops Bm7 → E → E → E7 → C#m7 → F#m7 → F#m7 → Bm7 — V–I–I–vi–ii–V in scale degrees.
11 of the chords need a barre (Bm7, Bsus4, C#, C#m, C#m7, Esus4, F#7, F#m, F#m7, G#m7, G#m7b5), so this sits at a advanced level.
With a capo on fret 4 you can play it with F · Fm · Fmaj7 · Gm7 · Gsus4 · A … shapes instead — 11 of 17 become open chords.
Start around 84 BPM with a metronome and work up to 120.
Tempo drifts by about ±8.5 BPM — steady enough to practise to a click.
Dynamic range is 24 dB — a moderate swing between soft and loud passages.
The first chord lands at 12s, so there is a short intro before you come in.
Balance of the mix: Vocals 34%, Bass 20%, Guitar 20%.
The vocal sits between E3 and A♯4 (centred on C4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A ★ | 0:26 | 1–24 | 9 | Bm7 → E → E → E7 → C#m7 → F#m7 → F#m7 → Bm7 |
| Part B | 1:15 | 25–32 | 3 | Bm7 → E7 → Amaj7 → E → A → Bm7 → Bm7 → E7 |
| Part A ★ | 1:31 | 33–48 | 9 | Bm7 → E7 → Amaj7 → G#m7b5 → F#m7 → F#m7 → Bm7 → Bm7 |
| Part C | 2:03 | 49–56 | 2 | Bm7 → E7 → Amaj7 → G#m7 → F#m7 → F#m7 → Esus4 → Esus4 |
| Part A ★ | 2:19 | 57–64 | 9 | Bm7 → E7 → Amaj7 → E → F#m7 |
| Part B | 2:33 | 65–72 | 3 | Bm7 → E7 → Amaj7 → C#m → Am → A → Bm7 → Bm7 |
| Part A ★ | 2:49 | 73–88 | 9 | Bm7 → E7 → Amaj7 → G#m7b5 → F#m7 → F#m7 → Bm7 → Bm7 |
| Part C | 3:21 | 89–96 | 2 | Bm7 → E → Amaj7 → E → F#m7 → F#7 → Bm7 → E |
| Part D | 3:37 | 97–104 | 1 | Bm7 → E → F#7 → F#7 → Bm7 → Bm7 → E → E |
| Part E | 3:53 | 105–112 | 1 | D → D → E → Esus4 → Esus4 → Bm7 → Bm7 → E7 |
| Part A ★ | 4:09 | 113–120 | 9 | Bm7 → E7 → Amaj7 → G#m7 → F#m7 → Bm7 → Bm7 → E7 |
| Part B | 4:25 | 121–128 | 3 | Bm7 → E7 → Amaj7 → F#m7 → F#m7 → Bm7 → Bm7 → E7 |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
