Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for H1-KEY(하이키) '건물 사이에 피어난 장미 (Rose Blossom)' M/V. Tutti analyzed the YouTube audio to extract key B Major, 94 BPM. a progression of 21 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“H1-KEY(하이키) '건물 사이에 피어난 장미 (Rose Blossom)' M/V” runs at 94 BPM in 4/4, in B Major. The chart spans 101 bars and uses 21 distinct chords, changing roughly every 1.7 seconds.
Part A, the most repeated section, loops B → D#m → G#m7 → B → F# → A# → D#m → C#m — I–iii–vi–I–V–vii°–iii–ii in scale degrees.
16 of the chords need a barre (A#, A#7, A#m, B, Bm, Bmaj7, C#, C#m, Cm7, D#m, D#m7, F#, F#7, Fm7, G#m, G#m7), so this sits at a advanced level.
With a capo on fret 6 you can play it with E · E7 · Em · D#m7 · F · F7 … shapes instead — 12 of 21 become open chords.
Start around 66 BPM with a metronome and work up to 94.
Tempo swings by ±20.6 BPM, so follow the recording rather than a metronome.
Dynamic range is 39 dB — a wide swing, with 30% of the song played quietly.
The first chord lands at 21s, so there is a short intro before you come in.
Balance of the mix: Drums 35%, Vocals 29%, Bass 21%.
The vocal sits between G♯2 and F♯5 (centred on D♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:21 | 1–4 | 1 | F# → A#7 → D#m → Bm → F# → A#7 → D#m → C#m |
| Part B ★ | 0:31 | 5–8 | 7 | B → D#m → G#m7 → B → F# → A# → D#m → C#m |
| Part C | 0:41 | 9–12 | 3 | B → D#m → G#m7 → B → D#m → A#m → B → C# |
| Part D | 0:51 | 13–16 | 2 | D#m → A#m → B → F# → A#m → D#m → A#m → B |
| Part E | 1:02 | 17–20 | 1 | G#m7 → G#m7 → F# → A# → D#m → F# |
| Part B ★ | 1:12 | 21–24 | 7 | Bmaj7 → D#m → G#m7 → B → F# → A# → D#m → C# |
| Part F | 1:22 | 25–28 | 1 | Bmaj7 → D#m → G#m7 → B → F# → A#7 → D#m → D#m |
| Part G | 1:32 | 29–32 | 1 | B → D#m → G#m7 → B → F# → Dm → B → D#m |
| Part B ★ | 1:42 | 33–36 | 7 | B → D#m → G#m7 → B → F# → A#7 → D#m → C#m |
| Part C | 1:53 | 37–40 | 3 | B → D#m → G#m → B → D#m → A#m → B → C# |
| Part D | 2:03 | 41–44 | 2 | D#m → A#m → B → A#m → D#m → A#m → B → C# |
| Part H | 2:13 | 45–48 | 2 | G#m7 → B → F# → A# → D#m → F# |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
