Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for SPYAIR - 사무라이하트 サムライハート(Some Like It Hot!!) [가사/발음/해석]. Tutti analyzed the YouTube audio to extract key D# Major, 111 BPM. a progression of 10 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“SPYAIR - 사무라이하트 サムライハート(Some Like It Hot!!) [가사/발음/해석]” runs at 111 BPM in 4/4, in D# Major. The chart spans 89 bars and uses 10 distinct chords, changing roughly every 1.2 seconds.
Part A, the most repeated section, loops Cm → G# → D# → A# — vi–IV–I–V in scale degrees. That is the same four-chord loop started from the sixth — common in ballads.
8 of the chords need a barre (A#, B, C#, Cm, D#, F#, G#, Gm), so this sits at a advanced level.
With a capo on fret 3 you can play it with G · G# · A# · Am · C · D … shapes instead — 7 of 10 become open chords.
Start around 78 BPM with a metronome and work up to 111.
Tempo drifts by about ±14.9 BPM — steady enough to practise to a click.
Dynamic range is 9 dB — held fairly even throughout.
Balance of the mix: Bass 27%, Drums 27%, Vocals 25%.
The vocal sits between D♯3 and A♯5 (centred on D♯4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:00 | 1–4 | 1 | Cm → Cm → G# → G# → G → Cm → D# |
| Part B | 0:08 | 5–8 | 1 | G# → Cm → Cm → D# → G# → F# → Cm → D# |
| Part C | 0:17 | 9–12 | 2 | D# → Gm → Cm → Cm → D# → G# → D# → Cm |
| Part D | 0:25 | 13–16 | 1 | D# → G → Cm → Cm → A# → D# → F → Gm |
| Part E | 0:34 | 17–20 | 1 | F → Gm → G# → A# → Cm → G# → D# → A# |
| Part F ★ | 0:42 | 21–28 | 8 | Cm → G# → D# → A# → Cm → G# → D# → A# |
| Part G | 0:59 | 29–36 | 2 | G# → Gm → Cm → Cm → D# → G# → Gm → Cm |
| Part C | 1:16 | 37–40 | 2 | D# → G# → D# → Cm → D# → D# → Gm → Cm |
| Part H | 1:25 | 41–44 | 1 | F → Gm → G# → A# |
| Part F ★ | 1:33 | 45–52 | 8 | Cm → G# → D# → A# → Cm → G# → D# → A# |
| Part I | 1:50 | 53–56 | 4 | Cm → G# → D# → A# → Cm → G# → D# |
| Part F ★ | 1:59 | 57–60 | 8 | Cm → G# → D# → A# |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.