Auto-generated chord chart from YouTube analysis
Tutti is a free tool that analyzes a YouTube link or audio/video file to detect the key, tempo (BPM), time signature and chord progression, then builds guitar chord charts and TAB. Results are shown with a playback cursor so you can play along.
A chord progression lists the chords in the order they change. At each chord name (e.g. G, Em, C), fret that chord and strum in time.
Guitar chord chart for 유다빈밴드 - 불 | Official Music Video. Tutti analyzed the YouTube audio to extract key C# Minor, 176 BPM. a progression of 21 chords. Check the progression, each chord's notes and practice tips, then play along with the cursor in the Tutti app.
“유다빈밴드 - 불 | Official Music Video” runs at 176 BPM in 4/4, in C# Minor. The chart spans 146 bars and uses 21 distinct chords, changing roughly every 2.3 seconds.
Part A, the most repeated section, loops E → C#m → C#m → C#m → F#m — III–i–iv in scale degrees.
14 of the chords need a barre (B, Bm, Bm7, C#m, C#m7, C6, D#dim, D#m7b5, D6, Esus4, F#m, F#m6, F#m7, G#7), so this sits at a advanced level.
With a capo on fret 2 you can play it with Gmaj7 · A · A7 · Am · Am7 · A# … shapes instead — 11 of 21 become open chords.
Start around 124 BPM with a metronome and work up to 176.
Tempo swings by ±20.8 BPM, so follow the recording rather than a metronome.
Dynamic range is 17 dB — a moderate swing between soft and loud passages.
The first chord lands at 7s, so there is a short intro before you come in.
Balance of the mix: Vocals 28%, Drums 27%, Guitar 23%.
The vocal sits between G♯3 and B5 (centred on A4), which helps if you are picking a key to sing in.
| Part | Starts | Bars | Plays | Progression |
|---|---|---|---|---|
| Part A | 0:04 | 1–4 | 1 | D → E → E |
| Part B ★ | 0:09 | 5–8 | 11 | E → C#m → C#m → C#m → F#m |
| Part C | 0:15 | 9–12 | 8 | F#m → D → D → E |
| Part B ★ | 0:20 | 13–16 | 11 | E → C#m → C#m → C#m → F#m |
| Part D | 0:26 | 17–20 | 1 | F#m → D → D → Bm → E |
| Part E | 0:31 | 21–24 | 1 | E → E → Amaj7 → C#m7 → C#m7 → F#m7 → F#m7 |
| Part F | 0:36 | 25–28 | 2 | F#m7 → B7 → B7 → B → D → D |
| Part G | 0:42 | 29–32 | 2 | D → C#m → C#m → C#m → F#m → F#m |
| Part H | 0:47 | 33–36 | 1 | F#m → B → B → D#dim → D#dim → D → D |
| Part I | 0:53 | 37–40 | 1 | D → C#m → C#m → C#m → C6 → C6 |
| Part J | 0:58 | 41–44 | 2 | C6 → Bm7 → C#m7 → E |
| Part K | 1:03 | 45–48 | 1 | E → Dmaj7 → Dmaj7 → E → E |
★ most repeated — likely the chorus
The Roman numeral on each chord shows its function relative to the key, revealing the harmonic flow.
